简要翻译
    David Gilmour 6月6日在爱尔兰的2015 Borris House Festival of Writing and Ideas上确认了他的新专辑，名为'Rattle That Lock'。
    专辑将在九月份发行，与Roxy Music的Phil Manzanera, Jools Holland以及Gilmour的妻子、协助歌词创作的Polly Sampson合作。
    据Sampson透露专辑的主题是“抓住每一刻，展望将来……不畏惧、不犹豫”……

David Gilmour - Rattle That Lock (Deluxe Edition) 2015 (Rock, Documentary)


Genre: Rock, Documentary
Duration: 1:51:09 + 00:51:24
Year: September 18, 2015
Label: Columbia

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Track Listing

01. Barn Jam 1
02. Barn Jam 2
03. Barn Jam 3
04. Barn Jam 4
05. The Animators - Alisdair + Jock (Documentary on makers of the "Rattle That Lock" video)
06. "Rattle That Lock" video
07. The Animators - Danny Madden (Documentary on maker of "The Girl In The Yellow Dress" video)
08. "The Girl In The Yellow Dress" video
09. Polly Samson and David Gilmour at The Borris House Festival of Words and Ideas (Documentary on their creative collaboration)
10. The making of the "Rattle That Lock" album (Documentary)
11. Audio - "Rattle That Lock" Extended Mix
12. Audio - "The Girl In The Yellow Dress" Orchestral Version
13. Audio - "Rattle That Lock" Youth Mix - 12' Extended Radio Dub
14. Audio - "Rattle That Lock" Radio Edit
15. The "Rattle That Lock" album in 5.1 Surround Sound:
(01) 5 A.M.
(02) Rattle That Lock
(03) Faces Of Stone
(04) A Boat Lies Waiting
(05) Dancing Right In Front Of Me
(06) In Any Tongue
(07) Beauty
(08) The Girl In The Yellow Dress
(09) Today
(10) And Then...

Personnel:
David Gilmour – guitars (all), lead vocals (all except 1, 7, 10), keyboards (all except 8), piano (1, 3, 4, 5), SNCF sample (2), Hammond organ (2, 5, 9), bass guitar (5, 6, 7, 10), bass harmonica (7), electric piano (9, 10)
Gabriel Gilmour - piano (6)
Steve DiStanislao – drums (2, 3, 5, 7, 9), percussion (2, 3, 7), backing vocals (2)
Guy Pratt - bass guitar (2, 9)
Phil Manzanera - Hammond organ (2, 3), keyboard elements (2, 3, 6), acoustic guitar (3, 9)
Andy Newmark - drums (5, 6, 10)
Danny Cummings - percussion (3, 4, 5, 7, 10)
Damon Iddins - accordion (3)
David Crosby - backing vocals (4)
Graham Nash - backing vocals (4)
Jools Holland - piano (8)
Rado Klose - guitar (8)
Robert Wyatt - cornet (8)
Chris Laurence - double bass (8)
Mica Paris – backing vocals (2, 9)
Louise Marshall – backing vocals (2, 9)
The Liberty Choir - backing vocals (2)
Zbigniew Preisner - orchestration (1, 3, 5, 6, 9, 10)
Michaël Boumendil - original SNCF jingle (2)
Richard Wright - voice sample (4)  
 

'Rattle That Lock' is the new solo album by David Gilmour, the voice and guitar of Pink Floyd. This is David's fourth solo album, and the first since 2006's #1 album 'On An Island'. The primary lyricist for 'Rattle That Lock' is Gilmour s long-term writing partner, Polly Samson, and the album is co-produced by David Gilmour and Roxy Music s Phil Manzanera. The album's striking cover has been art directed by Dave Stansbie.
The lead single of this album is the title track, 'Rattle That Lock'. The song begins with the four notes, created by Michael Boumendil, which precede announcements at French SNCF railway stations which Gilmour recorded on his iphone at Aix station. Samson s lyrics are inspired by Book 2 of John Milton s Paradise Lost, which is also featured in her recent acclaimed novel, The Kindness. The single also features the Liberty Choir and singers Mica Paris and Louise Marshall.

Former Pink Floyd guitarist David Gilmour is not prolific. Rattle That Lock is only his fourth solo studio album (though it follows his late band's final album, The Endless River, by only ten months). Gilmour recorded some 35 songs for this set, some dating back 18 years. Trimming them to ten couldn't have been easy. Titled for John Milton's second book in Paradise Lost, Rattle That Lock is structured as an informal song cycle to reflect the sometimes random, sometimes weightier thought processes of a typical person in a single day. It begins, appropriately, with the instrumental "5 A.M.." Orchestrated by Zbigniew Preisner, Gilmour's signature slow, bluesy, Stratocaster sting enters just 30 seconds in, followed by fingerpicked acoustic guitars, gentle synths, and electric piano amid chamber strings to announce the title-track single. It's the first of five songs co-written with novelist Polly Samson, Gilmour's wife. His meaty guitar lines mirror the spirit of the lyrics, which reflect dissent and the redemption that lies in the freedom to choose. Co-producer Phil Manzanera's Hammond organ, two funky basslines, and soaring chorus vocals from Mica Paris, Louise Marshall, and the Liberty Choir provide a smooth AOR feel. "Faces of Stone" is a waltz done as a tango, colored by Floyd-esque atmospherics and an extended wailing guitar break. The ageless harmonies of Graham Nash and David Crosby grace "A Boat Lies Waiting," a moving, understated tribute to Pink Floyd keyboardist Richard Wright. Gilmour's slide hovers above Roger Eno's elegant piano, chamber strings, and the cry of gulls. Samson's lyrics are economical but mighty, capturing bittersweet nostalgia, pain, and loss in their poignancy. "In Any Tongue" chillingly examines the toll of a global war run by men with deadly joysticks (to drones) in their hands: "God help my son/What has he done?/...I hear 'Mama' sounds the same in any tongue…." In "Beauty," Eno and Gilmour trade contrasting minimal piano and blues-rock guitar lines as strings and reverb bridge them. Second single "Today" commences as a hymn, but erupts into wonky funk driven by Guy Pratt's bass. Here the silken, rockist disco of Wall-era Floyd clashes with Speaking in Tongues-era Talking Heads, and it all works -- dramatic orchestral accompaniment notwithstanding. Instrumental closer "And Then…" features Gilmour's expressive Strat and acoustic guitars. Andy Newmark's drums and Danny Cummings' percussion frame them amid a backdrop of strings. This tune is so lyrical that Gilmour's guitar playing literally sings, making it one of his finest instrumentals. As a whole, Rattle That Lock reveals more confident and developed songwriting from Gilmour and Samson; they'll be a near-symbiotic team in the future. It is a snapshot of where Gilmour is as a musician in 2015, and not by any means a grand portrait or statement to sum up his career. --AllMusic Review by Thom Jurek